Music Composers, Authors & Songs

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217
Harris, Charles K.
Harper, Marjorie, composer, author, pianist; b. St. Paul, Minn., April 26. ASCAP 1937. Father, church or­ganist and singer as avocation. Educ: in music, studied piano with Alexan­der Lambert; theory with Rubin Cold-mark. Interested in folk songs, dances of all American nations. Recently made 19,000 mile tour of U.S. play­ing own compositions. Works chiefly Latin American compositions and music of old Spain; has collaborated with well-known Latin writers. Songs: "Negra Consentida (My Pet Bru­nette)"; "AY AY AY AY My Sere­nade"; "There's a Little Bit of Irish In Us AH"; "San Antonio Serenade"; "Fiesta in Santa Fe"; "At the Santa Glaus Parade." Instrumental: Spanish Suite, Fantasia Espanola; Los Cerros de Granada; Noche de Fiesta (Jota); El Guardiano (Castellana); Noches Flamencos (Zarabanda); Medianoche en Seville (Sevillana). Also La Flor de Valencia; El Campo Gitano (Bule-rias); Cuevas de Granada (Lapa-teado); Una Calle en Granada; La Fiesta Gitana; Ecos de Sevilla. Also paso dobles, sambas, rumbas, boleros. Home: 146 Belmont Ave., Jersey City, N.J.
Harrington, Bill (William O.), com­poser, author, singer; b. Indianapolis, Ind., May 31, 1918. ASCAP 1950. Educ. Arsenal Technical High Schools, Indianapolis. Piano and voice with private tutors; also piano Arthur Jordon Cons., Indianapolis; voice, Cincinnati Cons., Cincinnati, Ohio. Played piano and accordion with bands, trios, quartettes, small com­binations and large bands through­out country since 1933. On staff radio station Cincinnati 1943 as featured vocalist. World War II, U.S. Nivy, 1944-45. After discharge joined Al-vino Rey as vocalist. To New York 1946, had own radio program for three years. Now on television. Songs: "Wendy"; "Open Parachute"; "Mama
Does the Mambo"; "Looking for a Dream"; "Just We Two"; "Texas Lullaby"; "Did'ja Mean It?"; "I Made Myself a Promise"; "Drop a Jitney in the Juke Box." Home: Flushing, N.Y. Address: c/o ASCAP.
Harrington, W. Clark, composer, author; b. Worcester, Mass., June 28, 1905. ASCAP 1942. Educ.: primary schools, Brookline and Springfield, Mass.; Technical High School (grad. with honors), Springfield; Dartmouth College, 1924-26. Private study: har­mony, John Bishop, Vittorio Giannini; New England Cons, of Music, 1928-29 (Endicott Prize, composition, 1929); orchestration study, Channon Collinge. From 1930, in New York, radio executive in music copyright. Works: Moby Dick, libretto, secular cantata; Faun Call, impressionistic tone poem for orch.; Minuet in G, string orch.; Candlelight Prelude, piano; Alas, that Spring Should Vanish, vocal setting from The Rubai-yat; Her Face, text setting and chorus arr. of Scriabin Etude, / Mus' Keep a-moverin (quasi-spiritual). Songs: "My Grandfather Used to Hum"; "My Fate"; "One Word From You"; numerous other works, incl. texts to compositions by David Guion, Lily Strickland and Amber Roobenian. Home: 530 E. 23 St., New York 10, N.Y.
Harris, Charles K., composer, author, b. Poughkeepsie, N.Y., May 1, 1867; d. New York, N.Y., Dec. 22, 1930. ASCAP 1914 (charter member). Career began as banjo player. Com­posed popular songs, then music pub­lisher, New York. Wrote his auto­biography 1926, which appeared first in serial form in The Saturday Eve­ning Post, later in book form. Wrote several stage shows and motion pic^ ture scenarios. Before eighteen wrote songs "Creep Baby Creep"; "Let's Kiss and Make Up ; "Thou Art Ever